Artist Brittany Kiertzner's creation of wampum circle sculptures as tools of communication is deeply inspired by E. Pauline Johnson's poem "Dawendine," which emphasizes the profound connections between language, identity, and culture. By transforming wampum circles into tactile sculptures, Kiertzner honors their historical significance as symbols of unity and storytelling within indigenous communities.
 
Much like Johnson's evocative verses that weave together personal and cultural narratives, these sculptures serve as visual language, inviting dialogue and reflection on heritage and shared experiences. The circular form embodies continuity and inclusivity, echoing the poem's themes of belonging and interconnectedness.
 
Through this innovative approach, Kiertzner not only preserves the legacy of wampum but also encourages a contemporary conversation about communication and identity, resonating with Johnson's celebration of nature and the rich tapestry of indigenous life.